Biting — yet sensitive. He’s a study in contrasts. Just like his books. Writer Aravind Adiga won the Man Booker Prize in 2008 with his novel “White Tiger”. In the first interview given globally over his new book “Last Man in Tower”, Adiga now tells Srijana Mitra Das about being a small-town boy, falling in love with Mumbai, capturing the people and philosophies rich India overlooks, writing being his fate, generating controversy — and why he might just step away now.
Biting — yet sensitive. He’s a study in contrasts. Just like his books. Writer Aravind Adiga won the Man Booker Prize in 2008 with his novel “White Tiger”. In the first interview given globally over his new book “Last Man in Tower”, Adiga now tells Srijana Mitra Das about being a small-town boy, falling in love with Mumbai, capturing the people and philosophies rich India overlooks, writing being his fate, generating controversy — and why he might just step away now.
Biting — yet sensitive. He’s a study in contrasts. Just like his books. Writer Aravind Adiga won the Man Booker Prize in 2008 with his novel “White Tiger”. In the first interview given globally over his new book “Last Man in Tower”, Adiga now tells Srijana Mitra Das about being a small-town boy, falling in love with Mumbai, capturing the people and philosophies rich India overlooks, writing being his fate, generating controversy — and why he might just step away now.
Biting — yet sensitive. He’s a study in contrasts. Just like his books. Writer Aravind Adiga won the Man Booker Prize in 2008 with his novel “White Tiger”. In the first interview given globally over his new book “Last Man in Tower”, Adiga now tells Srijana Mitra Das about being a small-town boy, falling in love with Mumbai, capturing the people and philosophies rich India overlooks, writing being his fate, generating controversy — and why he might just step away now.
Biting — yet sensitive. He’s a study in contrasts. Just like his books. Writer Aravind Adiga won the Man Booker Prize in 2008 with his novel “White Tiger”. In the first interview given globally over his new book “Last Man in Tower”, Adiga now tells Srijana Mitra Das about being a small-town boy, falling in love with Mumbai, capturing the people and philosophies rich India overlooks, writing being his fate, generating controversy — and why he might just step away now.
Biting — yet sensitive. He’s a study in contrasts. Just like his books. Writer Aravind Adiga won the Man Booker Prize in 2008 with his novel “White Tiger”. In the first interview given globally over his new book “Last Man in Tower”, Adiga now tells Srijana Mitra Das about being a small-town boy, falling in love with Mumbai, capturing the people and philosophies rich India overlooks, writing being his fate, generating controversy — and why he might just step away now.
Masterji followed the men through glass doors on to a rectangular balustrade terrace, where the sea breeze blew into his hair.
Masterji followed the men through glass doors on to a rectangular balustrade terrace, where the sea breeze blew into his hair.
Masterji followed the men through glass doors on to a rectangular balustrade terrace, where the sea breeze blew into his hair.
Masterji followed the men through glass doors on to a rectangular balustrade terrace, where the sea breeze blew into his hair.
Masterji followed the men through glass doors on to a rectangular balustrade terrace, where the sea breeze blew into his hair.
Masterji followed the men through glass doors on to a rectangular balustrade terrace, where the sea breeze blew into his hair.
Why is it that in the historical art galleries of painting – or of sculpture, for that matter – only a very few women are represented?
Why is it that in the historical art galleries of painting - or of sculpture, for that matter - only a very few women are represented?
Why is it that in the historical art galleries of painting – or of sculpture, for that matter – only a very few women are represented?
Why is it that in the historical art galleries of painting - or of sculpture, for that matter - only a very few women are represented?
Why is it that in the historical art galleries of painting – or of sculpture, for that matter – only a very few women are represented?
Why is it that in the historical art galleries of painting - or of sculpture, for that matter - only a very few women are represented?
Grandnephew Sugata Bose tracks Netaji’s life in a brilliant biography
Grandnephew Sugata Bose tracks Netaji’s life in a brilliant biography